a1 Body Only
[ ] 50.1 Mégapixels
[ ] 30 fps with continuous AF/AE tracking
[ ] 8K 30p / 4K 120p Video
[ ] 15+ stops dynamic range
Additional accessories
Sony
FE 16-35mm f/2.8 GM
2 699,99 $
Sony
FE 70-200mm f/2.8 GM OSS
2 699,99 $
Sony
FE 85mm f/1.4 GM
2 399,99 $
Sony
NP-FZ100 Battery
119,99 $
ProMaster
Battery for Sony NP-FZ100
79,99 $
Sony
CFexpress Type A G series Card
259,99 $
Sony
SD & CFexpress Type A Reader MRW-G2
159,99 $
The α mission is to give creators the power to realize their dreams. The α1 is its most potent expression to date.
The latest Sony technology delivers unprecedented speed and resolution for new creative possibilities and workflow.
The α1 offers an extraordinary combination of high resolution and blazing speed. Ultra-fast readout from the 50.1-MP sensor allows continuous bursts at up to 30fps with AF and AE tracking using the electronic shutter. Perfect for sports or any situation where the critical action is over in an instant.
An interrupted blackout-free view of the subject lets you respond instantly and seamlessly. The EVF is updated at 240fps to minimize latency during continuous shooting.
(A) Blackout-free Shooting (B) Shooting with blackouts
A silent electronic shutter provides greater opportunities for shooting sports and other subjects where noise is not tolerated. Vibration-free operation contributes to high image quality.
Fast sensor readout minimizes still-image distortion when using the electronic shutter. The BIONZ XRTM engine and a large buffer achieve about 1.5x less distortion than the α9 II.
[1] Conventional electronic shutter [2] Anti-distortion shutter
Another world-first: flicker-free electronic and mechanical shutters. You get flicker-free shooting under fluorescent/artificial lighting with all the benefits of the electronic shutter.
Anti-flicker [1] ON [2] OFF
A stacked architecture in this back-illuminated 50.1-MP full-frame image sensor contributes to high resolution and speed. Separate pixel and circuit layers and advanced A/D conversion mean faster processing.
The new BIONZ XR engine features advanced architecture that delivers 8x greater processing power. The result is outstanding image quality as well as improved camera interface response.
For the first time in an α camera, electronic shutter flash sync is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages remain available for flash shooting.
The world’s first dual driven shutter system allows flash sync up to 1/400 s., making it easier to capture dynamic action, and opening the door to new creative possibilities.
The new 50.1-MP Exmor RS CMOS sensor delivers high resolution and sensitivity with low noise, plus up to 15 stops of dynamic range. A new image processing engine achieves even better colour accuracy than previous models.
Despite the sensor’s high pixel count, a sensitive back-illuminated structure with gapless on-chip lenses and an AR coated seal glass allows a standard ISO range of ISO 100–32000, expandable to ISO 50–102400.
Up to 16 images shot with precise in-body image stabilization control can be combined via computer software to create photos with up to 199 million pixels for extraordinary resolution, colour, and atmosphere.
[1] Normal Shooting [2] 16-image Pixel Shift Multi Shooting
The Creative Look feature provides 10 presets that can be used unmodified or edited to create a variety of “looks” that can help creators fine-tune the mood of their stills or movies in-camera.
A precision stabilization unit and gyro sensors plus the latest image stabilization algorithms deliver a 5.5-step shutter speed advantage, maximizing the quality of high-resolution images.
[1] Yaw [2] Pitch [3] Roll
High-level subject recognition technology now makes it possible for Sony’s Real-time Eye AF function to track and accurately focus on bird eyes, even if the bird suddenly takes flight or the framing changes. This innovative function easily meets the many challenges of bird photography.
Primarily designed for cats and dogs, this feature employs advanced subject recognition technology to reliably track and focus on animal eyes. It even works if the animal’s face is upside-down.
Combining state-of-the-art AI technology and evolved Fast Hybrid AF algorithms, Real-time Eye AF in the α1 tracks and focuses on human eyes with approximately 30% greater precision than the α9 II.
Select a subject, half-press the shutter, and the camera will track and maintain focus automatically. Turn on AF face/eye priority for seamless AI-based tracking of human, animal, or bird eyes.
The α1 features focal plane phase-detection AF that is sensitive, fast, and precise. The 50.1-MP sensor and BIONZ XR engine provide 759 selectable phase-detection points covering about 92% of the image.
The new image sensor and BIONZ XR engine in the α1 deliver 8K 30p movie recording capability for extraordinary realism. Four times the resolution of 4K with full Real-time Tracking and Real-time Eye AF functionality. 8K footage is also ideally suited to flexible 4K editing.
The α1 supports high frame-rate internal 4K movie recording at up to 120fps, for smooth, expressive slow-motionplayback at up to 5x. 10-bit 4:2:2 chroma subsampling can be used with Long-GOP or Intra (All-I) compression for outstanding image quality, while the new image sensor and BIONZ XR engine minimize image distortion.
In the Super 35 mode, approximately 2.3x the amount of data required for QFHD 4K is acquired through full-frame readout with no pixel binning, for beautifully imagery that is rich in detail.
(A) 2.3 times information
10-bit depth, 4:2:2 chroma subsampling, a high-efficiency MPEG-H HEVC/H.265 codec, intra-frame coding, and more, support flexible editing and a variety of delivery formats.
The BIONZ XR engine features significantly improved detection, accurately tracking human eyes at a wider range of head angles. Also available for 8K and 4K 120p recording.
S-Log2 and S-Log3 are included. S-Log3 provides smooth 10-bit gradations and a dynamic range of 15+ stops. S-Gamut, S-Gamut3, and S-Gamut3.Cine colour spaces supported.
High-dynamic-range HLG movies support the wide-gamut BT.2020 colour space, and can be directly played on an HDR (HLG) compatible TV. 10-bit HLG recordings reproduce fine gradation and detail.
[1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)
The α1 allows 16-bit RAW output to an external recorder via HDMI for improved post-production flexibility. RAW output via HDMI is available while recording 4K to internal card media.
A digital audio interface delivers outstanding audio quality with compatible audio devices connected via the Multi Interface Shoe. Pristine digital audio is delivered directly to the camera.
A newly developed heat-dissipating structure prevents overheating during continuous recording without increasing body size. Record 8K/30p or 4K/60p video continuously for up to 30 minutes.
The α1 includes the same S-Cinetone colour matrix that produces beautiful colour and skin tones in the VENICE, FX6, and other Cinema Line cameras. S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin colour, plus soft colours and gorgeous highlights, responding to a growing need for more expressive depth.
A new Active Mode dedicated to movie shooting makes 5-axis optical image stabilization highly effective for handheld shooting. It uses the BIONZ XR engine’s real-time processing capability to apply optimum compensation in all formats, including 4K. All of this is realized without compromising the compact size and mobility of the α system.
The 9.44 million-dot (approx.) OLED viewfinder in the α1 offers the highest resolution in the industry at this time. It features 0.90x magnificationwith a 41 ° FOV for a clear, wide view, and an updated structure that results in a 25-mm-high eyepoint. A 240fps refresh rate with UXGA FOV is another world-first, for a clear view of fast action.
Using electronic shutter at low shutter speeds can reduce display response, making it difficult to follow fast subjects. Turn [Low Frame Rate Limit] ON to improve display response and allow panning shots.
M and S size images have the same number of pixels and AF area in the full-frame and APS-C modes, so you can switch seamlessly between full-frame [M:21MP] and APS-C [M:21MP] while shooting the same scene.
[1] Full Frame [2] APS-C
A subset of the settings now change according to the selected mode. This is ideal when you want to use different aperture, shutter speed, and other settings for shooting stills and movies.
Another feature requested by professional photographers and videographers: a revised menu structure for easier navigation, and touch-responsive menu operation for more intuitive control.
164 Functions are assignable to 17 custom keys as well as the front and rear dials. Independent function sets can be assigned for stills, movies and playback.
Touch-responsive main and function menus with menu tabs on the left of the display, and related parameter groups and parameters on the right, make for easy navigation and tracking control.
Shutter vibration is minimized while allowing continuous bursts at up to 10fps. The new shutter unit with advanced motor, brake, and dampers is good for more than 500,000 cycles.
Dual media slots support UHS-I and UHS-II SDXC/SDHC cards as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds.
Shoot up to 530 stills per charge. Components and circuitry have also been designed to optimize power use. Get more capacity with two Z batteries in the VG-C4EM grip.
Sealing is provided at all body seams and the battery cover. The media slots have a double sliding cover and lock that keep water out. A lens lock button and mount cushion help too.
A light, rigid magnesium alloy enhances the durability of the top, front, and rear covers as well as the internal frame. 6 lens mount attachment screws add even more strength and rigidity.
Built-in wireless LAN allows communication on the 2.4-GHz and 5-GHz bands, the latter with 2x2 MIMO support (IEEE 802.11a/b/g/n/ac). Dual antennas ensure reliable communication.
A USB Type-C® connector that supports fast USB 3.2 SuperSpeed USB 10-Gbps data transfer, making fast PC Remote (tethered) data transfer available for smooth handling of large files.
A built-in connector for wired 1000BASE-T connection enables fast, stable data transfers at gigabit speeds. FTPS is supported, allowing SSL or TLS encryption for greater security.
FTP still and movie uploads as well as remote camera control can be accomplished via wireless LAN, fast wired LAN, or a USB-tethered smartphone. File types for transfer can be specified.
Stills and movies can be transferred to a remote FTP server via wireless LAN, high-speed wired LAN, or a wired smartphone connection. Wireless data throughput is about 3.5x faster than the α9 II.
The Imaging Edge Desktop “Remote” applicationcan be used for PC Remote (tethered) shooting via a wireless LAN or wired USB connection. Remote control from a mobile device is also possible.
The α1 includes efficient lossless compression in addition to compressed and uncompressed RAW.
A new “Light” JPEG size setting results in smaller files than the “Standard” setting, allowing faster delivery for news and sports photographers who depend on speed.
HEIF format can deliver smooth 10-bit gradations for more realistic reproduction of skies and portrait subjects. Advanced compression reduces file size for improved workflow efficiency.
Viseur / écran
| Viewfinder | Yes |
| Touchscreen | Yes |
Flash
| Integrated Flash | No |
Vidéo
| 4K Video (UltraHD) | Yes |
Autres fonctions
| GPS | No |
| Wi-Fi | Yes |
| Bluetooth | Yes |
| Waterproof | No |